ACT
1
A wide square by the Paris door, in Amiens. On the
left, an inn with a porch and an outside staircase that
leads to the first f loor. At sunset, lively stroll of
middle-class people, dressmakers, soldiers.
Edmondo, a brilliant student, is courting, together
with his friends, a group of girls and lovingly teases
Des Grieux, who stays indifferent:
isn’t
he attracted by female charm or is he secretly in love
with an unreachable girl? In order to stop his friend’s
joke, Des Grieux dedicates a love madrigal to the girls
and then goes away. The postillion’s cornet blares and
the stage coach from Ar ras ar r ves: onlookers crowd
around it. Among the travellers there are sergeant
Lescaut, his sister Manon and the middle-aged Geronte De
Ravoir, State general treasurer. Des Grieux, immediately
attracted by Manon’s beauty, gets close to her and asks
her name, talking to her with affected admiration, while
Lescaut and Geronte goes up to the first floor, giving
instructions to the innkeeper for the arrangement of the
luggage and for the dinner. The girl, conquered by Des
Grieux’s kind words, softly tells him her name and
confesses her unhappiness for having been forced, by her
father’s will, to go to the convent. The young man, full
of passion, invites her to rebel against her sad fate
and, as Lescaut calls her back to the inn, Des Grieux
makes a date with her at nightfall. In the meantime,
Geronte and
Lescaut get out of the inn: Lescaut, obsequious towards
the rich treasurer, accepts his invite to dinner after
having told him the family’s plans for Manon who, he
suggests, should have a happier future. Geronte takes a
hint and, as Lescaut plays cards with a group of
students, he calls aside the innkeeper and, offering a
bag of money, instructs him to find within an hour a
coach with swift horses, to “fly” to Paris with a girl.
Edmondo, having listened to the conversation, informs
Des Gr ieux, who tells Manon about the old dandy’s plot.
He easily convinces her to flee together to Paris with
Geronte’s coach. The thing is soon done and Edmondo
announces to Geronte the two lovers’ elopement. Lescaut
tries to comfort the old libertine, who’s beside himself
with rage for having being mocked, assuring him that
Manon will soon prefer him, and his richness, to the
penniless student.
ACT 2
Paris. A very elegant living room in Geronte’s house.
As Lescaut had expected, Manon has left the poor student
and now lives with the old patron in unbridled luxury.
But she regrets the few happy moments she spent with her
beloved Des Grieux. She asks news about him to her
brother, who’s come to visit her. Lescaut tells her that
Des Grieux ignores where she is
and
that he’s trying to get rich with gambling, even
cheating, in order to win her back. In the meantime, an
endless ceremonial has begun: hairdressers, singers
striking up madrigals, musicians, dance lessons to which
take part Geronte, powdered old friends and abbots,
while refreshments and chocolate are served. Lescaut
goes out to find Des Grieux, so to give some relief to
his younger sister’s sadness.
It’s too late now to go out for a walk, so Geronte
leaves Manon to finish dressing up and goes to order the
coach.
Suddenly, Des Grieux comes in: Manon runs towards him
but he rejects her, reproaching her cruel abandonment,
telling about the desperate days spent reminding of her.
Manon, kneeling down, begs forgiveness and soon wins him
back with her seductiveness. Geronte finds the two
lovers hugging each other. To Geronte’s irony about her
prostitute behaviour, Manon answers back with sneer
taking the mirror, putting it in Geronte’s face and
indicating Des Grieux, as to propose an unlikely
comparison. Geronte leaves, menacing revenge. Left
alone, Manon swears again fidelity to Des Grieux, ready
to live again with him, even though with a little bit of
regret for the luxury she has to leave. Lescaut comes
back in a rush, urging them to flee since Geronte is
arriving with the guards. In the great confusion aroused
in looking for a safe exit, Manon lingers in grabbing as
many jewels as she can, wasting precious time. The
guards arrive
and, by Geronte’s sign, they arrest Manon as a thief and
prostitute. Des Grieux draws his sward to defend her but
Lescaut promptly disarms him: if he is arrested, too,
who will save Manon?
ACT 3
The square in the port of Le Havre.
A ship at anchor, a barracks front, a sentinel walking
before a close gate. Night is ending.
Lescaut confides to Des
Grieux that he has bribed the sentinel, who’s about to
mount guard, to set free Manon, doomed with other
prostitutes to “people” the Americas. The picket for the
change of escort comes out of the barracks. Lescaut
gives a nod to the accomplice sentinel (who goes away),
then he knocks to the iron bars of a window at the
ground floor of the barracks: the windows open and Manon
appears. Des Grieux runs towards his beloved and,
in
a passionate talk, he reassures her that he’ll never
leave her and that he’s arranging her flight: she’s to
keep ready at the courtyard gate when the soldiers will
let out the convicts. As Manon withdraws, a gun shot and
shouts are heard. Lescaut rushes in announcing that the
deal has failed and he tries to drag Des Grieux away.
Meanwhile, a big crowd gathers in front of the barracks,
as the sky clears up in dawn. A sergeant gets out with a
group of soldiers surrounding the prisoners; the captain
gets off the ship with a group of sailors; the roll call
begins. As the women are called, they make for the ship
among the biting comments of the crowd. But the
beautiful Manon arouses admiration and emotion:
anguished, she bids the last farewell to Des Grieux,
who’s got cautiously close to her, evading the soldiers’
surveillance. When he’s discovered and driven away, midd
leclass
and common people try to protect him, while Des Grieux
tears Manon from the sergeant’s hands and shields her
with his body. The turmoil draws the attention of the
captain and, in front of him, Des Grieux bursts out in a
excruciating supplication: he begs the captain to engage
him as a shipboy, so he can follow to America the woman
he madly loves. The captain accepts, among general
enthusiasm. 
ACT 4
An endless barren land.
Manon and Des Grieux,
forced to flee from New Orleans where the young man
thinks of having killed a rival in a duel, are wandering
in an endless horizon, exhausted for the long walk,
torn, hungry. Manon is wornout for fever and thirst: she
begs Des Grieux to go and look for help and, in
solitude, she painfully recalls her past. The young man
is back, desperate for having found no sign of life, no
help. Manon feels death approaching, holds Des Grieux,
who’s keeping her with passion, asks him forgiveness for
all the wrongs she’s done and demands the last kisses.
Then she dies. Mad for sorrow, Des Grieux falls
unconscious on the body of his beloved woman.
Tutte le immagini di
questa pagina:
Adolfo Hohenstein (1854-1928), figurini per i costumi di
Manon
Lescaut di Giacomo Puccini, in prima
rappresentazione assoluta al Teatro Regio di Torino il
1° febbraio 1893. Milano, Stampe Ricordi.